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Sunday, 15 February 2009

THE PARADOXES OF DIGITAL PHOTOGRAPHY

Lev Manovich
THE PARADOXES OF DIGITAL PHOTOGRAPHY

Digital Revolution?
Is an image, mediated by computer and electronic technology,
radically different from an image obtained through a photographic lens and embodied in film?
annihilating vs solidifying 取代抑或加強?
*保留了cultural codes of film or photography


1.在digital photography取代traditional photography的同時,
也為traditional photography帶來新的角色和價值。
e.g.對於傳統相機的迷戀(如同數位電影的發明之於家庭影音設備的購買/DVD的收集)/數位像框的出現?

2.傳統照片複製會有損毀的現象而數位照片不會(如同vhs之於dvd)。
然而在數位照片轉檔/壓縮過程中(resize)實際上也流失了一些資訊
(數位相片其實是以資料型態儲存的,而壓縮其實是捨棄了某些資訊)e.g.馬賽克現象
但另一方面現今的設備已可呈現超高解析度

3.digital imaging destroys the innocence of straight photography by
making all photographs inherently mutable?
Digital technology does not subvert "normal" photography
because "normal" photography never existed.(Photomontage/多重曝光/似畫非畫)


3.Real vs too real
以Jurassic Park為例,電腦製作的3D影像必須降低解析度來配合實際拍攝的影像。
computer images are not inferior to the visual realism of
traditional photography. They are perfectly real -- all too real.
(hd的出現以及影像處理技術的進步,已經很難區別真實與虛構)

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