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The Creative Treatment of Actuality - John Grierson
John Grierson（1898~1972），在1926年時因評論Robert Flaherty
以玻里尼西亞人日常生活為題材的新片Moana的「紀錄價值」，
而使documentary films一詞首次受到重視。
葛里爾森後來在1932年時發表‘First Principle of the British Documentary Film Movement’中
進一步指出：紀錄片乃是一種 The Creative Treatment of Actuality（對真實的創造性處理），
紀錄片「不是一面鏡子而是一把槌子」（Art is not a mirror but a hammer.），
他強調握在手中的攝影機猶如一把武器，是在「觀察」與「陳述」何謂真、善、美的事物，
而非只是日常例行性活動的公開報導而已；紀錄片是一種「視覺藝術」，它具有化腐朽為神奇的魔力，
可以將日常的世界翻轉成美感的饗宴（It is something more magical.
It is a visual art which can convey a sense of beauty about the ordinary world.），
所以紀錄片本身具有說服觀眾的能力，讓人們瞭解從生命自身觀察和選擇，即能綻放出嶄新和鮮活的藝術形式
（We believe that the cinema's capacity for getting around, for observing and
selecting from life itself, can be exploited in a new and vital art form.）
From:真實與再現的爭議 - 廖慶華
以玻里尼西亞人日常生活為題材的新片Moana的「紀錄價值」，
而使documentary films一詞首次受到重視。
葛里爾森後來在1932年時發表‘First Principle of the British Documentary Film Movement’中
進一步指出：紀錄片乃是一種 The Creative Treatment of Actuality（對真實的創造性處理），
紀錄片「不是一面鏡子而是一把槌子」（Art is not a mirror but a hammer.），
他強調握在手中的攝影機猶如一把武器，是在「觀察」與「陳述」何謂真、善、美的事物，
而非只是日常例行性活動的公開報導而已；紀錄片是一種「視覺藝術」，它具有化腐朽為神奇的魔力，
可以將日常的世界翻轉成美感的饗宴（It is something more magical.
It is a visual art which can convey a sense of beauty about the ordinary world.），
所以紀錄片本身具有說服觀眾的能力，讓人們瞭解從生命自身觀察和選擇，即能綻放出嶄新和鮮活的藝術形式
（We believe that the cinema's capacity for getting around, for observing and
selecting from life itself, can be exploited in a new and vital art form.）
From:真實與再現的爭議 - 廖慶華
The Decisive Moment - Henry Cartier Bresson
The Decisive Moment決定性的瞬間（1952）:
*To me, photography is the simultaneous recognition, in a fraction of a second,
of the significance of an event as well as of a precise organization of forms
which give that event its proper expression ----- Henri Cartier-Bresson
這一瞬間是畫面最具張力，也是排列組合最具意義的一刻
*There is a creative fraction of a second when you are taking a picture.
Your eye must see a composition or an expression that life itself offers you,
and you must know with intuition when to click the camera."
"That is the moment the photographer is creative.--- Henri Cartier-Bresson
*To me, photography is the simultaneous recognition, in a fraction of a second,
of the significance of an event as well as of a precise organization of forms
which give that event its proper expression ----- Henri Cartier-Bresson
這一瞬間是畫面最具張力，也是排列組合最具意義的一刻
*There is a creative fraction of a second when you are taking a picture.
Your eye must see a composition or an expression that life itself offers you,
and you must know with intuition when to click the camera."
"That is the moment the photographer is creative.--- Henri Cartier-Bresson
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